Musical (1960)


Musique: Charles Strouse
Paroles: Lee Adams
Livret: Michael Stewart
Production à la création:

Originally titled Let's Go Steady, the satire on American society is set in 1958. The story was inspired by the phenomenon of popular singer Elvis Presley and his draft notice into the Army in 1957. The rock star character's name, "Conrad Birdie," is word play on the name of Conway Twitty. Twitty is best remembered today for his long career as a country music star, but before that, in the late 1950s, he was one of Presley's rock 'n' roll rivals.

The fictional story takes place in 1958, centering around Conrad Birdie, a hip-thrusting rock and roll superstar akin to Elvis Presley, Conrad's agent and songwriter, Albert Peterson, and Albert's secretary and love, Rose Alvarez (Rose Grant or Rose DeLeon in some versions), who hails from Allentown, Pennsylvania.

Albert finds himself in trouble when Conrad is drafted into the army, so he and Rose come up with a last-ditch publicity stunt to premier one last hit Conrad Birdie record before he is sent to the army. They plan to have Conrad sing Peterson's new song "One Last Kiss" on live television, and give one lucky girl from his fan club a real 'one last kiss' on 'The Ed Sullivan Show' before going off to war.

The lucky girl is chosen randomly from Conrad's national fan club, and it happens to be Kim MacAfee. Rose, Conrad, and Albert set off to her house in Sweet Apple, Ohio to prepare for the event. However, things don't go quite as planned; Kim's father becomes obsessed with the prospect of being on The Ed Sullivan Show alongside his daughter, Kim's boyfriend becomes disastrously jealous of Conrad, and Conrad himself becomes tired of the show business life and tries to teach the kids how to party - ultimately getting himself in trouble with the law.

Acte I
Agent and songwriter Albert Peterson finds himself in trouble when hip-thrusting rock and roll superstar Conrad Birdie is drafted into the Army. Albert's Hispanic secretary and sweetheart, Rosie Alvarez, comes up with a last-ditch publicity stunt to have Conrad Birdie record and premiere a song before he is sent overseas. She makes Albert promise to give up the music business and to start teaching English at schools An English Teacher. They plan to have Birdie sing Albert's new song "One Last Kiss" and give one lucky girl from his fan club a real "last kiss" on The Ed Sullivan Show before going into the Army.
The lucky girl chosen randomly from Conrad's fan club is fifteen-year-old Kim MacAfee from Sweet Apple, Ohio. All the teenagers in Sweet Apple are catching up on the latest gossip about Kim MacAfee and Hugo Peabody going steady The Telephone Hour. Kim, excited to have a boyfriend, reflects on how happy she is with her maturity How Lovely to Be a Woman. Conrad, Albert and Rosie set off to Sweet Apple to prepare for the event. Before they depart by train from New York City, local teenage girls are ecstatic to meet Conrad, but two young girls are sad that by the time Conrad gets out of the army, they'll be too old for him. Albert advises them to be optimistic Put on a Happy Face. Soon, reporters arrive with questions for Conrad, but Rosie, Albert, and the girls answer for him, pushing away tabloids A Healthy, Normal, American Boy Conrad receives a hero's welcome in Sweet Apple, and Hugo worries that Kim likes Conrad more than she likes him, but Kim assures Hugo that he's the only one she loves One Boy. Conrad shocks the town parents and drives the teenage girls crazy with his performance in the Mayor's courthouse Honestly Sincere.
Conrad becomes a guest in the MacAfee house and irritates Kim's father, Harry MacAfee, by being a rude and selfish guest. Mr. MacAfee does not want Kim to kiss Conrad until Albert tells him their whole family will be on The Ed Sullivan Show. Mr. and Mrs. MacAfee, Kim, and her younger brother Randolph sing Sullivan's praises. Hymn For a Sunday Evening- Ed Sullivan Hugo sees Kim is attracted to Conrad and becomes very jealous. Albert's overbearing, interfering, mother Mae comes to break up her son's relationship with Rosie. She introduces Albert to a curvy blonde she met on the bus who could replace Rosie as his secretary.
Rosie, jealous and angry, dreams of gory and violent ways to murder Albert How to Kill a Man Ballet. Rosie and Hugo plot a way to ruin the broadcast. Conrad sings on The Ed Sullivan Show One Last Kiss and as he leans in to kiss Kim, Hugo runs onstage and punches him in the face. On live television, Conrad collapses, Rosie breaks up with Albert, and Albert, trying to cover for the mishaps of the evening, leads a chorus of A Healthy, Normal, American Boy" (Reprise)).

Acte II
Despite plans to refilm the broadcast, Rosie and Kim resolve to leave Albert and Hugo, lamenting on how stupid they were to fall for their love What Did I Ever See in Him Conrad decides he wants to go out and have a good time on his last night as a civilian and encourages the teens to party, and leads the gang A Lot of Livin' to Do). Conrad, Kim, and all the teenagers except Hugo head for the Ice House to party without adult supervision. Hugo goes to Maude's Roadside Retreat, hoping to get drunk, but proprietor Charles F. Maude can tell that he's under age and refuses to serve him.
When Mr. MacAfee finds out Kim has run away, he and Mrs. MacAfee lament how disobedient kids are today Kids. Rosie ends up at Maude's Roadside Retreat, but Albert calls her on the telephone and begs her to help him find Conrad Baby Talk to Me. Rosie, hoping to forget Albert, interrupts a Shriners meeting being held in Maude's private dining room. She flirts with all the Shriners, and they begin a wild dance. Hugo and Albert rescue Rosie from the crazed Shriners, and Albert finally stands up to his mother, telling her to go home. Hugo tells the MacAfees and the other parents that the teenagers have gone to the Ice House, and they all declare that they don't know what's wrong with their kids. Even the other parents join in Kids Reprise Randolph joins in, stating that his older sister and the other teens are "so ridiculous and so immature". After many days of doubts, Albert finally gets the courage to send his mother home. She is mad that Albert would marry someone who is Spanish.
The adults and the police arrive at the Ice House and arrest Conrad, although he doesn't appear to have done anything illegal or immoral. Kim claims that she was intimidated by Conrad and Hugo gladly takes her back and proposes to her, which she accepts. After a reconciliation with Albert, Rosie tells Albert's mother Mae that she will marry Albert despite Mae's racist objections, and to irritate her, declares she's Spanish Spanish Rose with deliberate comic exaggeration. Albert bails Conrad out of jail and arranges for him to sneak out of town dressed as a middle-aged woman—presumably so he can report for Army induction as scheduled. Albert also gets his mother to leave Sweet Apple bound for home on the same train, getting Conrad and his mother out of his life for good. Albert tells Rosie that they're not going back to New York; they're going to Pumpkin Falls, Iowa. The small town is in need of an English teacher, and they prefer the applicant to be married. Albert professes that everything is rosy with Rosie Rosie and they go off together happily.


The producer Edward Padula had the idea for a musical initially titled Let's Go Steady, a "happy teenage musical with a difference." Padula contracted with two writers, and Charles Strouse and Lee Adams wrote seven songs for their libretto. Padula, Strouse and Adams sought Gower Champion as director/choreographer, who until that time had choreographed only a few musicals. (Fred Astaire and Morton DaCosta had already declined.) However, Champion did not like the book and the writers were fired, with Michael Stewart then hired. Stewart wrote an early version titled Love and Kisses, which focused on a couple thinking of divorce, but whose children persuade them to stay together. Champion wanted "something more". "The 'something more' had been right there in the newspaper. On September 22, 1958, rock-and-roll idol Elvis Presley, having been drafted, boarded a ship for eighteen months in Germany.... There was a media circus including Elvis giving a specially selected member of the Women's Army Corps 'one last kiss'". After brainstorming, Stewart and Adams "came up with the idea of a rock-and-roll singer going off to the army and its effect on a group of teenagers in a small town in Ohio." The name of the singer was Elsworth, then changed to "Conway Twitty before we discovered there was already a Conway Twitty who was threatening to sue us, and then, finally, Conrad Birdie."

Let's Go Steady (working title)


Acte I
Overture- Orchestra (There are two overtures one can use. The main one, Overture A, uses film of Conrad Birdie and the Teen Chorus along with a teen trio in the pit orchestra. The alternate overture, Overture B, has a teen trio in the pit orchestra along with a pre-recorded segment of Conrad Birdie singing.)
Opening Curtain- Orchestra
An English Teacher – Rosie
The Telephone Hour – Teenagers
The Telephone Hour (Playoff)- Orchestra
How Lovely to Be a Woman – Kim
Penn Station Transition/We Love You, Conrad! – Orchestra/Teen Trio
Put on a Happy Face (dance with Sad Girl) – Albert
A Healthy, Normal, American Boy – Albert, Rosie, Teen and Adult Chorus
Penn Station to Sweet Apple- Teen and Adult Chorus
Sweet Apple Band- Teen Chorus
One Boy – Kim, Deborah Sue, Alice
One Boy (Reprise) – Rosie
Sweet Apple Station- Orchestra underscoring
Honestly Sincere – Conrad Birdie, Ursula, and Teenagers
Wounded- Ursula, Deborah Sue, and Margie
Hymn for a Sunday Evening – The MacAfee Family & Company
How to Kill a Man (Ballet) – Rosie, Albert, Company
TV Theme (Fanfare)- Orchestra
One Last Kiss – Conrad & Company
A Healthy, Normal, American Boy (Reprise, Act One Finale) – The Company

Acte II
Entr’acte (Like the overtures, there are two Entr'actes. The main one, Entracte A, use stock footage of various forms of communication. The alternate one, Entracte B, simply has the teen trio again in the pit orchestra.)
What Did I Ever See in Him? – Rosie & Kim
What Did I Ever See in Him? (Underscore)- Orchestra
What Did I Ever See in Him? (Reprise)- Rosie
A Lot of Livin’ to Do – Conrad, Kim & Teenagers
Kids – Mr. And Mrs. MacAfee
Kids (Scene Change)- Orchestra
Baby, Talk to Me – Albert & Quartet
Transition to Shriner's - Orchestra
Shriner’s Ballet (dance) – Rosie & Shriners
Shriner's (Playoff)- Orchestra
Glory Hallelujah- Orchestra
Kids (Reprise) – Adults, Mr & Mrs Macafee, Randolph
Lamont Cranston to Ice House (Scene change)- Orchestra
Ice House Livin'- Teen Chorus
An English Teacher (Reprise)- Rosie
Spanish Rose – Rosie
Morning- Orchestra
Hand Car- Teen Chorus girls
Rosie – Rosie & Albert
Finale- Orchestra
Bows and Exit Music- Orchestra

The 2009 revival placed "Kids" after "What Did I Ever See in Him?", and "A Lot of Livin to Do" followed "Kids". Although the reprise of "Kids" was included, it was not listed in the playbill. A finale was added, featuring the song "Bye Bye Birdie" (written expressly for the 1963 movie version of Bye Bye Birdie) sung by the entire cast.

Albert Peterson, Conrad Birdie's manager
Rose "Rosie" Alvarez, his Spanish secretary and long suffering girlfriend
Conrad Birdie, a 1950s rock and roll star a la Elvis Presley
Kim MacAfee, a teenage girl from Sweet Apple, Ohio who is chosen to receive the 'one last kiss' from Conrad Birdie
Mr. MacAfee, Kim and Randolph's befuddled father whose one dream is realized when the family gets to appear on the Ed Sullivan Show
Mrs. MacAfee, Kim and Randolph's mother
Randolph MacAfee, Kim's younger brother
Hugo Peabody, Kim's boyfriend who doesn't like Conrad Birdie
Mrs. Mae Peterson, Albert's crazy mother who hates Rosie
Gloria Rasputin, the woman whom Mae Peterson tries to get Albert with
The Mayor, the mayor of Sweet Apple
The Mayor's Wife, his wife who is secretly a huge Conrad Birdie fan
Harvey Johnson, the town nerd, just can't seem to get a date
Ed Sullivan, the host of the Ed Sullivan Show; an unseen character

Aucun dossier informatif complémentaire concernant Bye Bye Birdie

Aucun dossier informatif complémentaire concernant Bye Bye Birdie


Version 1

Bye Bye Birdie (1960-04-Broadway Run)

Type de série: Original
Théâtre: Broadway Run (Broadway - Etats-Unis)
Durée : 1 an 5 mois 3 semaines
Nombre : 607 représentations
Première Preview : 14 April 1960
Première: 14 April 1960
Dernière: 07 October 1961
Mise en scène : Gower Champion
Chorégraphie : Gower Champion
Producteur :
Star(s) :
Commentaires longs: Martin Beck Theatre, (4/14/1960 - 10/22/1960)
54th Street Theatre, (10/24/1960 - 1/14/1961)
Shubert Theatre, (1/16/1961 - 10/7/1961)

Version 2

Bye Bye Birdie (1961-06-Her Majesty's Theatre-London)

Type de série: Original London
Théâtre: Her Majesty's Theatre (Londres - Angleterre)
Durée :
Nombre : 268 représentations
Première Preview : Inconnu
Première: 15 June 1961
Dernière: Inconnu
Mise en scène : Gower Champion
Chorégraphie : Gower Champion
Producteur :
Star(s) :

Version 3

Bye Bye Birdie (1963-04-Film)

Type de série: Film
Théâtre: *** Film (*** - ***)
Durée :
Nombre :
Première Preview : 04 April 1963
Première: 04 April 1963
Dernière: 04 April 1963
Mise en scène : George Sidney
Chorégraphie :
Producteur :
Star(s) :
Commentaires longs: Director George Sidney was so taken with the talent of Ann-Margret that when the film was edited he went to Columbia's executives and proposed the opening and closing bumpers that would showcase her. They refused to pay for any additional filming so Sidney rented the studio and crew at his own expense. He then asked the composers to come up with a title song. Ann-Margret's skirt-flipping/hair-tossing rendition of the song was filmed six months after principal photography was completed at a cost of $60,000, which was repaid to Sidney after the movie, and Ann-Margret, became a sensation.

Version 4

Bye Bye Birdie (1990-??-US Tour)

Type de série: US Tour
Théâtre: US Tour ( - Etats-Unis)
Durée :
Nombre :
Première Preview : Inconnu
Première: Inconnu
Dernière: Inconnu
Mise en scène : Gene Saks
Chorégraphie : Edmond Kresley
Producteur :
Star(s) :

Version 5

Bye Bye Birdie (1995-??-Television)

Type de série: Télévision
Théâtre: *** TV (*** - ***)
Durée :
Nombre :
Première Preview : Inconnu
Première: Inconnu
Dernière: Inconnu
Mise en scène : Gene Saks
Chorégraphie :
Producteur :
Star(s) :
Commentaires longs: It starred Jason Alexander in the role of Albert and Vanessa L. Williams as Rosie. Tyne Daly played Albert's mother Mae Peterson. Marc Kudisch, who played Conrad Birdie on tour opposite Tommy Tune, reprised the role. Pop music singer Chynna Phillips played Kim MacAfee, Broadway veteran Sally Mayes played her mother, and George Wendt played her father Harry. While this version remained mostly faithful to the original musical, several songs were added and re-arranged, and dialogue was slightly rewritten to smoothly facilitate the musical changes. The title song "Bye Bye Birdie", written for the 1963 film and sung by Ann-Margret, is rearranged and rewritten as a quintet for a group of Sweet Apple girls at the soda shop. The verse of "One Boy" that Rosie sings was replaced with "Let's Settle Down". The song "Baby Talk to Me" returns to the show. Dialogue where Albert's mother Mae laments her fate was re-written into a song entitled "A Mother Doesn't Matter Anymore," and in "A Giant Step", Albert tells Rosie how he has finally broken free of his overbearing mother.

Version 6

Bye Bye Birdie (2003-09-Landor Theatre-London)

Type de série: Revival
Théâtre: Landor Theatre (Londres - Angleterre)
Durée : 3 semaines
Nombre :
Première Preview : 16 September 2003
Première: 16 September 2003
Dernière: 11 October 2003
Mise en scène : Paul Tate
Chorégraphie : Richard Swerrun
Producteur :
Star(s) :
Avec: Spencer James (Conrad Birdie), Karl Clarkson (Albert Peterson), Theresa Lawrence (Rose Alvarez), Lisa Cassidy (Kim MacAfee), Carol Ball (Mae Peterson), Glenn MacNamara (Hugo Peabody), Paul Tate (Mr MacAfee), Lesley Lightfoot (Mrs MacAfee), Angus Jacobs, Mark Dugdale
Commentaires : 42 years after its London premiere (which featured Marty Wilde as Conrad Birdie), the show was revived in a fringe venue.

Version 7

Bye Bye Birdie (2004-05-New York City Center) Encores! Concert

Type de série: Concert
Théâtre: New York City Center (Broadway - Etats-Unis)
Durée :
Nombre :
Première Preview : Inconnu
Première: 06 May 2004
Dernière: 10 May 2004
Mise en scène : Jerry Zaks
Chorégraphie : Casey Nicholaw
Producteur :
Star(s) :

Version 8

Bye Bye Birdie (2008-10-Kennedy Center-Washington)

Type de série: Concert
Théâtre: Kennedy Center for the Performing Arts (Washington - Etats-Unis)
Durée :
Nombre :
Première Preview : Inconnu
Première: 02 October 2008
Dernière: 05 October 2008
Mise en scène : Lonny Price
Chorégraphie :
Producteur :
Star(s) :
Commentaires longs: An abridged version of Bye Bye Birdie was presented at the Kennedy Center in Washington, DC, October 2–5, 2008, as part of its Broadway: Three Generations production. Laura Osnes played Kim and Leslie Kritzer played Rosie

Version 9

Bye Bye Birdie (2009-09-Stephen Sondheim Theatre-Broadway)

Type de série: Revival
Théâtre: Stephen Sondheim Theatre (Broadway - Etats-Unis)
Durée : 3 mois 1 semaine
Nombre : 40 previews - 117 représentations
Première Preview : 10 September 2009
Première: 15 October 2009
Dernière: 24 January 2010
Mise en scène : Robert Longbottom
Chorégraphie :
Producteur :
Star(s) :
Commentaires longs: The Roundabout Theatre Company's limited-run Broadway revival began previews at Henry Miller's Theatre on September 10, 2009, opened to mostly negative reviews on October 15, 2009 and was scheduled to close January 10, 2010 before it was extended until April 25, 2010. However, due to poor advance sales after the expiration of lead actors John Stamos and Gina Gershon's contracts, the closing date was moved up to January 24, 2010.
Robert Longbottom was the director-choreographer, with John Stamos and Gina Gershon starring as Albert Peterson and Rosie Alvarez, Bill Irwin as Harry MacAfee, Jayne Houdyshell as Mrs. Mae Peterson, Nolan Gerard Funk as Conrad, Riley Costello as Herman Henkel, Allie Trimm as Kim MacAfee and Matt Doyle as Hugo Peabody. Although Longbottom spoke extensively about how the show was being revised and refined for the revival, there were no interpolations from the film or TV adaptations of the show barring the title tune written for the film, which was used as a finale.

Version 10

Bye Bye Birdie (2009-10-Stephen Sondheim Theatre-Broadway)

Type de série: Revival
Théâtre: Stephen Sondheim Theatre (Broadway - Etats-Unis)
Durée : 3 mois 1 semaine
Nombre : 40 previews - 117 représentations
Première Preview : 10 September 2009
Première: 15 October 2009
Dernière: 24 January 2010
Mise en scène : Robert Longbottom
Chorégraphie : Robert Longbottom
Producteur :
Star(s) :

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